| Ashley Burke |
A multimedia blog that follows around a chain of Rwandans’ connections. From motodrivers to genocide survivors, Degrees of Separation dives into the lives of locals in Kigali to show viewers what Rwanda is like now. It’s a window into the present, rather than a spotlight on the past.
Next Webisode
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1st Degree: Laura A Rwandan mother of two, returns to Rwanda for the first time in over a decade. She left to study in Moscow four years after the genocide. Find out what she thinks of Kigali, her hometown that she once knew so well. |


May 20th, 2009 at 9:00 pm
Great Blog
May 21st, 2009 at 7:33 pm
Hello Ashley, Greeting from home. I will be following your blog. It sounds very interesting. and I can’t wait for your next installment.
Sandy
May 22nd, 2009 at 12:18 am
Fantastic idea for your blog! And I love the intro! I’m so impressed.
May 22nd, 2009 at 10:18 am
I will be watching. Be safe.
May 22nd, 2009 at 11:26 am
Hey Ashley! Great idea…I can’t wait to get there
May 25th, 2009 at 4:14 pm
Great idea for the blog Ashley! Very original. I look forward to reading watching more posts
June 1st, 2009 at 9:52 am
Great Blog Ash! The camera still loves you almost as much as it loves me! Take care and good luck with the Blog!
June 4th, 2009 at 12:55 pm
SO COOL ASHLEY!
Looks great, and from now on, I’ll be an avid checker to find out all about the degrees of seperation. Amazing idea.
July 22nd, 2009 at 7:58 am
[...] Introducing Degrees of Separation A multimedia blog that follows around a chain of Rwandans’ connections. From motodrivers to genocide survivors, Degrees of Separation dives into the lives of locals in Kigali to show viewers what Rwanda is like now. It’s a window into the present, rather than a spotlight on the past. [...]
August 4th, 2009 at 2:25 am
[...] Introducing Degrees of Separation A multimedia blog that follows around a chain of Rwandans’ connections. From motodrivers to genocide survivors, Degrees of Separation dives into the lives of locals in Kigali to show viewers what Rwanda is like now. It’s a window into the present, rather than a spotlight on the past. [...]